Hutchinson examines the role of identity and belonging in a globalised world.
She considers how this is challenged through social groups, cultural factors and labeling. Based on the family, physical and social journeys are explored which have taken place, through which different classes and cultures have formed from their working class roots to habitation in Hong Kong.
The images which are presented in the works are often both personal and generalised impressions of the group which is being highlighted, some of which could be considered negative. By using decorative materials and techniques to situate these happenings Hutchinson hopes to deceive the viewer into a false sense of security, until further investigation.
The use of pattern and in particular wallpaper is of paramount importance as the harsh images often challenge the comfortable and domestic nature of wallpaper, whilst echoing a colonial past. In many ways it serves as a sort of silent protest in response to issues of labeling and identity which have become apparent through the globalisation process.
Cultural goods are often adorned with patterns, they are all usually relevant to a particular tribe which is being investigated and in some way a method of protection. They protect the person by bringing them into a group or community and giving them a sense of place which is quickly being lost in an advancing global world. However by doing this they also take away their identity by the use of mass production and labeling that is employed.
Overall, the works aim to questions how we exist and belong in a post-globalised environment and the issues which occur due to this phenomena.
